Tag: Sarasota Film Society

Living: Many Intimate Moments

Living, a film based on a previous 1952 film by legendary cinema giant Kurosawa was written by Nobel Prize winning author Ishiguro. A creation of such origin was bound to be special and Living, while not a perfect 10, certainly contains many gorgeous moments. Realize that gorgeous doesn’t necessarily mean positive evocative emotions, as some… Continue reading Living: Many Intimate Moments

Broker, Positive End-Orphans

PREFACE: Please email me with your comments at irun2eatpizza@hotmail.com I promise to respond to every human:) I’ve been a fan of Hirokazu Koreeda ever since having my heart broken open by his film Shoplifters, so my expectations were gigantic for his newest, Broker. Koreeda went solo on this film, managing both the screenplay and direction… Continue reading Broker, Positive End-Orphans

Back to Back Classics in SRQ: Two Johns and a Jimmy

What a gift to live in Sarasota! Thursday I saw Grease (Kleiser, 1978) on the big screen at the charming Burns Court Theater (Sarasota Film Society) where joy was expressed in the gyrating seat dances and applause after each song. Truly a blessing to listen to audience members share their love for Olivia Newton-JOHN and… Continue reading Back to Back Classics in SRQ: Two Johns and a Jimmy

Peter Von Kant: Raises Interesting Questions

First of all, where are my people? Come on world, or ok, I’ll go smaller, Sarasota. Ok, smaller still, Ringling College Film Majors? I’d really like to see more intellectual and artsy people at Burns Court. For Peter Von Kant, I had a small passionate few who stayed for the talk back who I really… Continue reading Peter Von Kant: Raises Interesting Questions

Compartment No. 6, Don’t Passover the Little Guy/Girl

Winning three awards at Cannes, directed and adapted from a novel to the screen by Juho Kuomanen, Compartment No. 6 is not a film at which to sneeze, yet because it didn’t make the U.S. Slap Fest, most people probably pass it by. But foreign films are often deeper than American (sorry USA) and Compartment… Continue reading Compartment No. 6, Don’t Passover the Little Guy/Girl

“The Outfit” Comes Off a Little Too Easily

Graham Moore, Oscar winner for Best Adapted Screenplay for the very moving The Imitation Game, co-wrote and directed The Outfit, out now at Burns Court and AMC Bradenton. And while I love Mark Rylance (I could have kissed him for making me laugh so hard in “Don’t Look Up”), this film was just a little… Continue reading “The Outfit” Comes Off a Little Too Easily

The Power of the Dog, Worthy of a Re-Watch

For my initial watch of The Power of the Dog, [and I truly want a re-watch as this movie has some hidden gem moments that hit you out of nowhere and are gone to quickly to be appreciated just once (the post wedding waltz, the Bronco Bill handkerchief scene, the smoking of the same cigarette… Continue reading The Power of the Dog, Worthy of a Re-Watch

Drum Roll for The Cine-World Tall Pole’s Small Poll Voting Results

I recently read a top 7 list of things never to do, one of which included; “never put yourself down”, but that would basically wipe out my entire comedy act…. so in another episode of ‘Does anyone really care about this blog?’ (visualize me with a sympathetic face holding a cue card with my email… Continue reading Drum Roll for The Cine-World Tall Pole’s Small Poll Voting Results

“Leaving Home, Coming Home” Doc: Tribute to Robert Frank

Another find at the Cine-World Film Fest at the Sarasota Film Society’s Burns Court Theater was the rare gem (as far as big screen showings) from 2004 “Leaving Home, Coming Home”. While the doc seemed on the home made side, cinema verite the fancier terminology, the depth of the doc really shone in its second… Continue reading “Leaving Home, Coming Home” Doc: Tribute to Robert Frank