Category: drama

How About a Less Obscure Sundown? Recalculating…

I wish I was Michel Franco’s gal pal who he showed his current Sundown to BEFORE saying, “that’s a wrap”, because I would have gladly said, ‘hey Michel, you gotta be a little more obvious in your target message’. And maybe Michel would have said, ‘hey chica, I’d like it to remain a mystery, a… Continue reading How About a Less Obscure Sundown? Recalculating…

Parallel Mothers, Still on My Mission

Pedro Almodovar wrote and directed Parallel Mothers, a film I liked less than 2019’s Pain and Glory, but again, much like Drive My Car, I admit to cultural ignorance. First, I’m pro-cremation, so any story line about angst about family bodies being buried next to each other, does not tug my heart strings, disculpe. I… Continue reading Parallel Mothers, Still on My Mission

The Power of the Dog, Worthy of a Re-Watch

For my initial watch of The Power of the Dog, [and I truly want a re-watch as this movie has some hidden gem moments that hit you out of nowhere and are gone to quickly to be appreciated just once (the post wedding waltz, the Bronco Bill handkerchief scene, the smoking of the same cigarette… Continue reading The Power of the Dog, Worthy of a Re-Watch

Chemistry Counts: Guillermo No, Steven, Yes Sir!

(Write to me your comments and opinions at irun2eatpizza@hotmail.com) I did something I rarely do Friday when I chose walking out of Nightmare Alley over hari kari (now the latter would have been a carnival side show!). Just depression with all caps with zero chemistry between Mara and Cooper, as well as zippo for Cooper… Continue reading Chemistry Counts: Guillermo No, Steven, Yes Sir!

Card Counter doesn’t pass the film formula test

My Film definition: Film = Moments + Story + Personality/Emotion Card Counter works more as a docu-drama. War may begin as ridding the world of ‘monsters’, but in the end the chaos and corruption create or deform innocent people into monsters. Abu Ghraib, obviously horrible. Aftermath, soldiers involved warped and destroyed. Innocent people held in… Continue reading Card Counter doesn’t pass the film formula test

“The Father”, the Hon and the Holy almost

There’s so much that is moving about The Father. First and foremost, the screenplay adapted by Christopher Hampton (Oscar winner for Dangerous Liaisons, nominated for Atonement) from playwright Florian Zeller’s play, originally billed as a black comedy. In directing this film, Florian Zeller has stripped out comedic elements, simultaneously sharpening the realism of what it… Continue reading “The Father”, the Hon and the Holy almost

Making Room for Pieces of a Woman in my Top Ten

Time to shove over a few selections for the phenomenal Pieces of a Woman directed by Kornel Mundruczo and written by his fellow Hungarian collaborator Kata Weber. But first, I am glad I heard the beginning of a podcast which foretold the difficult scenes in the first 20 minutes, I’d challenge that and say 27… Continue reading Making Room for Pieces of a Woman in my Top Ten