Adam “Baby” Driver, Just One Reason to see Logan Lucky

Logan Lucky was just what the doctor ordered, a squeeze in of fun between one enervating work shift and before a totally different, and oft times lonely eight hours. I shan’t bore you with the details, besides there’s too much to say about Logan Lucky. Not just because Adam Driver, is the attractive introverted, quirky,… Continue reading Adam “Baby” Driver, Just One Reason to see Logan Lucky

Ghost World and the Mysteries It Created

The movie Ghost World used to come up in conversation with the last man I dated in New York, who from this day forward will be nicknamed my Saturday Night Boyfriend. My SNB was (actually ‘is’, he’s still alive and well and needed a job recommendation to a water park from me this past spring)… Continue reading Ghost World and the Mysteries It Created

The Little Hours: Forgive Me Father For I Have Sinned

“Forgive me Father for I have sinned.” is a line from The Little Hours, but it’s also a literal confessional. I’ll discuss the movie first and then segue into my own transgression. The Little Hours is a new movie by Jeff Baena, most famous for writing I Heart Huckabees. He had two other mainstream movies:… Continue reading The Little Hours: Forgive Me Father For I Have Sinned

Landline, an abrasive ringer, but it gets your attention

A GETROXY TRAILER: Coming soon, I’m going to try my hand at an audio widget! Stay tuned! Landline is a new movie written by Gillian Robespierre (also the writer of Obvious Child) and Eisabeth Holm (creator of the doc Paradise Lost which sounds grueling to watch, but perhaps worth the torture considering it involves the… Continue reading Landline, an abrasive ringer, but it gets your attention

A literary segue, Conversing about Horse Walks Into a Bar by David Grossman

Sometime soon, I’ll be filmed (https://www.instagram.com/books1sarasota/) having a conversation about Horse Walks into a Bar by David Grossman. To prepare, I thought I’d riff here to work out the kinks. Speaking of riffing…let’s talk first about whether a stand up comic could get away with what Grossman’s main character (Dovaleh) did, which is basically tell… Continue reading A literary segue, Conversing about Horse Walks Into a Bar by David Grossman

Now I Get the Hyperbole: L’Iceberg

Ok, last week I saw Lost in Paris and was unimpressed. Yet I now see this as a Woody Allen analogy after seeing Abel’s earlier film L’Iceberg which was a knockout. So, it’s like seeing Woody Allen’s Match Point and going, ‘what’s the big deal about this guy?” and then seeing “Anne Hall”. L’Iceberg was… Continue reading Now I Get the Hyperbole: L’Iceberg

Lost in Paris, Found in Hyperbole

Ok, here’s the weird phenomena. During the movie Lost in Paris (directed by Dominique Abel and Fiona Gordon), I turned to my friend Carrie and said, “Sorry I blew it, we could’ve been watching Sean Penn smoke a doobie.” (To be explained momentarily). But this morning, as I researched the writer (aforementioned Dominique Abel), I… Continue reading Lost in Paris, Found in Hyperbole

What I’d give for the simple life: Maudie

First of all, my hats off to Trace Hardman who has to be one of the sweetest people in Sarasota. Not only was he kind enough to treat me out for a birthday lunch last year, but he treated me this week to Maudie directed by Aisling Walsh. PLOT (without spoilers of course): And Trace,… Continue reading What I’d give for the simple life: Maudie

The Big Sick, a Perfect Antidote

I was pleasantly surprised with The Big Sick, directed by Michael Showalter and here’s why: I wrongly assumed it would hammer political ideology, of which I’m simply fatigued. But instead, Emily V. Gordon and her husband, comedian Kumail Nanjiani have presented a human story which was sweet and moving. What helped the movie, besides a… Continue reading The Big Sick, a Perfect Antidote

One Outta Three Ain’t Bad: Gilliam, Gillespie and LaGravenese

I attempted three movies in the last five days and only got through one…I know, rescind my film fanatic card. Ya see, I need some comedy in my life and that wasn’t going to happen in any way shape or form in The Last Five Years (LaGravense-a name that works-‘grave’) nor in Lars and The… Continue reading One Outta Three Ain’t Bad: Gilliam, Gillespie and LaGravenese