My New Number One Movie of the Year: Honey Boy

Results may change after some thought, but after seeing Honey Boy over the weekend in NYC, it’s my number one film of the year. In fact, when you think about it, the film has a great horse name, hence my top three finishers in this year’s ‘race’ are:

1. Honey Boy
2. The Lighthouse
3. Peanut Butter Falcon

If you’re a true buff, you see a two out of three ain’t bad theme running here: Shia LeBouf. And once you see Honey Boy, you’ll have what I now refer to as “Brian Wilson” moment, empathy for those who were traumatized by well meaning, but abusive parents.

Shia wrote the film about his father and chose Israel born music video and film director Alma Har’el to execute direction. Shia happened upon a Ha’rel video a few years back and decided her artistic eye would be perfect for his tweener to mid 20’s slice of life story. This summer smitten by Peanut Butter Falcon, I watched Alma’s Love + True, after seeing it pop up on my X-finity Demand list as a Lebouf project…he merely produced it, which while disappointed not to see his ruggedly handsome face, was a poignant and moving film mixing real and dramatized versions of from memory, a surfer in Hawaii and a stripper from Alaska. I watch at least two movies a week and for me to even be able to conjure up specific scenes as I can easily with this one, speaks highly of Ha’rel’s impact.

The acting in Honey Boy is phenomenal. Every single human in the film is genuine. Shia playing his own father (talk about a mind trip!), Noah Jupe is terrific as the tweener Shia, Lucas Hedges fantastic as the 22 year old Shia. Byron Bowers has one of the funnier (ironic) lines in the film and two tv veterans Laura San Giacomo and Martin Starr are great in their therapists’ roles. Last, but certainly not least, FKA Twigs is super as the equally damaged tweener seductress.

Go see this!! I can’t go again, it’s too traumatizing emotionally, but Shia is a triumph playing a man trying to break the cycle of abuse. I truly believe his film could reach some people locked in a self-abusive cycle.

ASIDE: Angelika Theater (NYC) is definitely worth going to: excellent atmosphere, roomy leg room, excellent popcorn and a staff that treats you like Jim Carey did his constituents in The Majestic. Really.

One Outta Three Ain’t Bad: Gilliam, Gillespie and LaGravenese

I attempted three movies in the last five days and only got through one…I know, rescind my film fanatic card. Ya see, I need some comedy in my life and that wasn’t going to happen in any way shape or form in The Last Five Years (LaGravense-a name that works-‘grave’) nor in Lars and The Real Girl. Hence, Gillian’s the winner this week with The Zero Theorum (Gilliam).

Before I criticize LaGravenese, I did see he worked on Behind the Candelabra, well done and award winning. And what did I expect about a musical that ends in a break up? I’ve owned the song Shiksa Goddess on my ipod for probably ‘the last five years’ and was simply enamored with the song and the fantasy of being one once. But waaa, waa, waa, did not happen.
The good news, Anna Kendrick, who I slayed in Mr. Right is the perfect fit here. She can sing and she can pout, perfection. Jeremy Jordan, who plays the male lead, was too pretty for my taste, but I get how difficult it must be to find a great singer and rugged all in one body.

Round Two of weird sadness was Lars and the Real Girl. For once, I’m going to say I was right in the first place to avoid this film. Love Gosling and love Patrica Clarkson…even like Paul Schneider (why I gave it a chance), BUT it was schmaltz city. Perfect fodder for a short film, but a full length film about a guy in love with a mannequin that’s not absurdist is simply ridiculous.

And now on to the winner of the week, suggested by my friend Pat (THANK YOU FOR HAMILTON AND SAN FRAN!!!!). Zero Theorum stars Christoph Waltz who usually bugs me and even here with his glaring bald head was a tad annoying, but the film’s theme of ‘existentialism’ or rather existential crisis caused by technology and the corporate are my pet peeves, too. And there was that Gilliam light hearted ‘we’ll get through this together’ mood which is always affecting. Melanie Thierry was adorable as the love interest, and look at old or should I say pre-Manchester young Lucas Hedges who did a great job here as a kid with affluenza. Matt Damon and Tilda Swinton also do nice side action work.

So I’m left to focus on the positive, relishing a call from my good college friend Laurie who’s in the same boat (date people I don’t feel a connection with or feel lonely) and listen to jazz fusion to erase Lars and The Last Five Years.