Sweetest Peanut Butter I’ve Ever Known

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Hyperbole, schmyperbole, I’m jumping on The Peanut Butter Falcon Oscar bandwagon ready to throw non-breakables at the television should it not win several awards.

Best Original Screenplay: Tyler Nilson and Mike Schwartz are the new Affleck/Damon, great storytelling and not a second of filler in the entire movie. My movie companion was dying to get a popcorn refill, but didn’t dare leave. I’m even more proud I’m his friend since once he realized what we were witnessing, movie magic, there’s no popcorn worth missing a second.

Best Actor: Tie: Zack Gottsagen, the Down syndrome actor is tremendous, such a tender nuanced performance doesn’t happen very often. Shia LaBeouf, hands down the role of a lifetime and he nails it. A la Casey Affleck and Willem DaFoe in Manchester By the Sea and Florida Project respectively. Understated, and real, his guilt ridden life takes on new meaning as he finds a run away Down syndrome man and becomes his caregiver.

And breaking news (to me), Shia has a screenplay he wrote and filmed coming out in November with Lucas Hedges called Honey Boy. I’ll call it now, this is LaBeouf’s year to rake it all in.

Best Picture: Roma certainly was a work of art and deserved the best picture win, and this year it’s time to give to a work of heart. So many small gorgeous moments in this film had me crying midway, a first ever. But a cry that feels good to be human and blessed to be in this world.

The ensemble of actors couldn’t be more perfect: Bruce Dern has had an acting renaissance since Nebraska and just keeps excelling. This year with Once Upon a Time in Hollywood, and now even bigger and better as Josh’s accomplice in Peanut Butter Falcon.

Best Supporting Actor (almost): If Thomas Hayden Church who I LOVE (Sideways!!!) had had a bit bigger role as the washed up wrestler, he’d be in the running. Here’s where I’ll come down from the soap box and say, great performance, but not large or wide ranged enough for a nomination.

And while I think Dakota Johnson is fantastic (Black Mass especially), I don’t think her character gets enough screen moment time to win an award. Nomination(?) Sure. Win(?), probably a stretch.

I’ll be going to see this again and will be rooting for it for the next six months. This is the best picture of the year, hands down.

A Solid Second Serve, Borg vs. McEnroe

So right off the bat I have to say Mea Culpa in being THE most biased reviewer when it comes to a film about John McEnroe (Borg vs. McEnroe directed by Janus Metz). See I’ve been in love with him since I was 17, had my bedroom wall plastered with his photos as a senior in high school, met him for an autograph in 1983, even loved his short lived interview show, and am still to this day, downright giddy when I see him commentating. I LOVE THIS MAN.

On the other hand, I may be the most biased against a film that stars Shia LaBeouf as John McEnroe. HOWEVER, Shia LaBeouf actually did a very good job portraying him. And I mean, very, very believable. My only nitpick is that McEnroe is a rocker (meaning in the physical self-soothing way) and in a scene where he’s on an interview Tonight Show like show, he sat perfectly still. That’s not Mac. But beyond that, excellent. And talk about kindred spirits…it’s no secret that Shia has been arrested a few times due to reckless behavior. I’d actually read Shia’s book about his obviously tortured past. I’d even help him edit (HINT, HINT).

The man who plays Borg could have easily been Borg’s son, or an identical clone that was cryogenically defrosted, Sverrir Gudnason. Not much acting involved besides pensive looks, but still, well done. And the man who’s in every Lars Von Trier film, Stellan Skarsgard, was also good as ‘the coach’.

The screenplay by Ronnie Sandahl (who won accolades for a foreign film called Under Dog) told each player’s back stories enough for us to understand their tremendous drive to be victor. And extra congrats to the man who did the musical score, Jonas Struck who not only saved, but refreshed re-watching a condensed 5 hour tennis match.

Definitely worth seeing on the big screen, especially if you’re a tennis fan. And thank you very much to my comedy editor and com padre, Bob, for treating me to this film, the finale of the Cineworld Film Fest sponsored by the Sarasota film Society.