Oren Moverman, how are you? I had no idea until just now that Moverman who directed The Dinner, the new movie based on the book by Howard Koch, also directed one of my (and my movie date)’s favorite movies of all time: Love&Mercy. The Dinner, sadly, is a film you should have reservations about….
Am I wrong to not want to glorify heinous acts by showing visuals? Especially when it involves malicious, misguided teens? I guess, if I’m open minded, showing incidents of affluenza may wake up some wealthy parents that perhaps they should take responsibility (early on, not once they reach adulthood) of their children’s upbringing (aka teaching them how to behave and how to love) and their mental health (if it walks like a depressed duck and talks like a depressed duck, get some therapy).
Anyway, while I understand to some extent the moral dilemma portrayed in The Dinner, I care about my fellow human beings enough to know; a sociopath, no matter if he or she is your child, should never get a free pass.
The movie’s subject matter was obviously almost good enough to make me forget I was watching one of my favorite actors (Steve Coogan) minus his typecasted upperhand sarcasm. His character, father of “Charles Manson”, is certainly bitter, but undermined by said son Charlie and his own wife; portrayed by another favorite actress of mine, Laura Linney.
Equally compellng was Rebecca Hall, who I envy most for how good she looks in short hair, a shallow female commentary. To be super objective, Hall’s acting was best of the four (Hall, Coogan, Linney, Gere) as Gere’s strong willed trophy wife. Pulling up four out of four is Richard Gere, who always seems to be playing the same dang man of power with an equal amount of ‘white people’s problems’ angst. I look forward to his upcoming performance as a homeless man, it’s high time for him to mix it up.
Due to the movie’s unsatisfying ending and it’s violence porn quotient, I say this is better off as a rental. Choose a dark deary night and it’ll fit right in.