Tale of Two Netflix: Maestro and May December

Maestro is a masterpiece. Amongst the Golden Globe male nominees, Bradley is far above any of the others, even Cillian Murphy in Oppenheimer. He had to look like a conductor, a piano player, acquire his mannerisms, voice and the ending credit sequence with the real LB, show just how much they transformed BC to look… Continue reading Tale of Two Netflix: Maestro and May December

Hunger (2008), Beware the Yikes of March

The lovely ladies at Burns Court Theater (part of the Sarasota Film Society) were wonderful hostesses to a pre-St Patty’s Day event showing Steve McQueen’s Hunger from 2008. But let me tell you something…this was realism in all caps, like this: REALISM! Attending this film is as close to being in the Maze Prison in… Continue reading Hunger (2008), Beware the Yikes of March

Sub ‘Twisted’ for ‘Promising’ Young Woman

Emerald Fennell’s written and directed Promising Young Woman is worth seeing. Good twists, scant violence, bravo on both counts. Now let’s talk about assuming your audience is intelligent, a demographic of which I guess Emerald doesn’t care to appeal. Much like Fincher’s Gone Girl, the characters are rather 2-D, there’s bad frat boys, there’s disgraced,… Continue reading Sub ‘Twisted’ for ‘Promising’ Young Woman

The world might be back in order: The D Train and Far From the Madding Crowd

Jack Black is back to dark quirky roles in “The D-Train”, where he plays a desperate man looking for friendship intimacy while rejecting the familial kind. The film’s uniqueness is due to the genuine nature of the character’s actions. We all screw up in real life, get caught up doing embarrassing things for meaningless connections,… Continue reading The world might be back in order: The D Train and Far From the Madding Crowd