Last Time, First Time, Sing Street, Weiner

Last Time, First Time
Dear Reader: I went into the bowels of Word Press’s dashboard to try to correct the inability to comment. But I’m like a bad auto mechanic, simply throwing my wrench around a few nuts and hoping it fixed things. Keep me posted and continued thanks for reading my blog.

My last movie in New York State was a great ending. I took my visiting son to see “Sing Street”. I had avoided it at the regular theater after skimming a New Yorker review which said in effect that the music was not special and the story schmaltzy. As has been the case before, while I love my New Yorker, the movie critics can be stuffed shirts.

“Sing Street”, written and directed by John Carney of the small budget Oscar Winner “Once” was adorable and HIGHLY recommended if you have an adolescent with talent as a budding musician or singer. Inspirational in tone with charming performances, most notably by Jack Reynor (even better now that I know he’s American, I believed his Irish accent whole hog) as the under achieving older brother. The other two stand outs were the lead couple/potential lovers; Lucy Boynton and Ferdia Walsh-Peelo (time for a stage name, my son). Boynton has the perfect blend of tough and sentimental and Walsh-Peelo is Say Anything/John Cusack adorable. I hope the film gave my son continued hope to pursue his singing career with verve in NYC.

The first film I saw as a resident of Sarasota was “Weiner”. I don’t think this was Sundance prize winning worthy, mainly because the editing could have been much tighter. Sure we need to see Anthony and Huma in their natural habitat, but there were several clips that were unnecessary. I also swear I heard the beep, beep, beep of reversing delivery truck that dumped the ridiculous number of ignorant media’s shark feeding frenzy stories. Anthony Weiner is smart and articulate and ironically very mature at times. He called it correctly though when he said that his true story would get lost in the media vortex hell bent on the shallow spin of judging a person’s totality on a few bad weeks in his entire life.

Also missing were any answers to much more intriguing questions: did Anthony suffer from survivor’s guilt after the hit and run death of an older brother? Anthony’s mom’s in the doc, but how do we account for the absence of Anthony’s dad? Those answers would have taken depth that apparently Joshua Kriegman and Elyse Steinberg weren’t willing to attempt.

By Goldie

Aspiring writer who has retired from the institution of education. I've written plays, three of which have been performed both in Rochester NY and here in Sarasota FL. I also write stand up and obviously, film critique. My comment section does not work, so please email me your comments at

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