The Nest Wasn’t Quite Empty Enough

Sean Durkin, director and writer of “Martha Marcy May Marlene” decided to spare us the word count with his latest of sparer title, “The Nest”. I wish his screenwriting could have also been trimmed.

Don’t get me wrong, The Nest is worth seeing, especially if you’re in for a moody, gray foreboding Surrey landscape. Not to mention, superb acting by Carrie Coon, Jude Law and even ‘their children’; Oona Roach and Charlie Shotwell.

So what’s my problem, you ask? Well, have you ever heard the Louis CK method of comedy writing (no not the ‘come into my hotel room’ one-lol), the write your heart out and then use you closer at the beginning and rewrite forward? If Sean had cut the first five, maybe even ten minutes off The Nest, his film’s pacing would have been tighter. Or possibly the ‘beating of the dead horse’….you’ll see.

But even with the bloat, I enjoyed The Nest, in addition, even the message at the end, which as I always promise, I won’t spoil.

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