Filling the Voight Void: Coming Home

After adoring Midnight Cowboy, I realized I needed to fill more of the Voight void, never having seen Coming Home (written by Waldo Scott and Robert C. Jones). Waldo Scott, won the Oscar for best screenplay for this film, as well as for Midnight Cowboy. Robert C. Jones also wrote Bullworth, one of my favorite political films, as well as the classic, Guess Who’s Coming to Dinner. Hal Ashby, director of Coming Home, is very close to my heart since it was his film Harold and Maude that ignited my love for film after seeing it on a lonely night, heart broken from my second soon to be ex-husband, shown on the big screen at the George Eastman House in Rochester, New York.

An aside on Hal Ashby: researching his life just now, I had never realized how tragic it was; horrendous upbringing involving abuse and his father’s suicide, drug abuse, ending in liver and colon cancer. Sean Penn dedicated his first film to Ashby who he had never worked with, but by whom he was obviously influenced. I’ll be tweeting to Penn to do a biopic on Ashby as his life seems to be perfect for dramatization.

And speaking of dramatization, please indulge me in a quickie:

At rise: Roxanne, a film auteur, calls in the cast of The Party, which includes seven actors. The cast gathers in a fancy screening room.

Roxanne
Please guests, take any seats you’d like.

(All actors sit politely, mumbling under their breaths, ‘what is this all about?’)

Roxanne (continued)
Ok, well, what I’d like you to do is watch the following film. Take note that there are basically 6 characters, with essential focus on three.

(All actors look at one another, mentally counting themselves.)

Kristin Scott Thomas
Excuse me, what is the purpose of this?

Patricia Clarkson
Well, it’s a fantastic American film from the ’70’s!

Kristin Scott Thomas
Yes, but won’t it be terribly depressing, I mean Vietnam. Even you Americans are passed all that-

Timothy Spall
Yes, none of my American chaps ever discuss that, you’ve got enough problems with Post Iraq PTSD.

Bruno Ganz
And Jake Gyllenhall just did a movie about paralysis about a Boston Marathon fan.

Emily Mortimer
Yes, and this is going to cut into my prime whining time.

(Roxanne nods and smiles, and without replying, turns to shut the lights and start the movie. Grousing continues briefly, and Patricia Clarkson moves herself away from the Brits. All quiet down with the opening song by the Rolling Stones. Fast forward through film, Roxanne is upfront.)

Kristin Scott Thomas
Oh my, that film was gorgeous, the acting, the soundtrack, the emotional resonates.

Timothy Spall
The love story of Voight and Fonda had weight. The scene where he stops her jittery running about with his hand firmly on her waist-
Kristin Scott Thomas
And how vulnerable he was getting from wheelchair to bed when they finally make love-

Patricia Clarkson
Unlike our shallow piece of crap.

Bruno Ganz
Well, what if we add something, like a love scene between Timothy and Kristin and have him be withdrawn, Kristin clueless, since she’s absorbed in her affair.

Emily Mortimer
Yeh, and maybe you don’t even need me and my spouse, I mean it just muddies the water and I could easily go whine in my next film.

Roxanne
As you Brits might say, “By jove, that’s Brilliant!”

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