Under the Silver Lake: Part Dos of Creepy Films

“Under the Silver Lake” (2018) Rated R graphic violence and at a tad bloated 2 hours and 19 minutes.

I’ve been trying to enlarge my podcast listening to more movie pods since I began my own with the super sharp Gus Mollasis. Already I know we need a sign off slogan, like how Siskel and Ebert said, we’ll save the aisle seat for you or Brother Wease’s ‘it’s nice to be important, but it’s more important to be nice’, the latter oh so true.

At any rate, in an odd coincidence after seeing “Psycho” Saturday (see blog part UNO) I heard a gent I respect on The Big Picture Podcast say “Under The Silver Lake” was one of his top five of the year thus far. This intrigued me as I had heard mixed reviews, with some criticism saying it actually promoted what it was trying to negatively highlight (and that topic is: men who feel women owe them sex).
Hence, I decided to see for myself what I thought of David Robert Mitchell’s film.

The short answer is the movie definitely did NOT glorify patriarchal domination. In fact, if you choose to read on, the male main character has a heart. Sure, he enjoys sex, but from what I had read in the headlines, I was prepared for a date rape/sex by force scene which never happened (thankfully).

If you’re good at celeb dating trivia (and who isn’t, eye roll), you guessed at the end of Creepy Part Uno that the star of “Under the Silver Lake” is Andrew Garfield. Confession, I never really cared for this guy, mainly based on shallow reasons, like he’s too thin for me to find attractive, I know, a momentary shallow moment.
I do know that his acting has received accolades, one biggie, an Academy Award Best Actor nom for “Hacksaw Ridge”, and I had totally forgot his Golden Globe nom for “The Social Network” (lip bite, I don’t remember his part, but loved that movie and certainly recall Jesse Eisenberg).

But talk about ‘holy he could be Anthony Perkins son’…what an odd coincidence. If his character had been a bit more shrewd, he really would have nailed Norman’s persona. But here’s the rub, while his character Sam seems to be a drifting heartless pig, he actually redeems himself (won’t spoil it) by truly caring about the welfare of one of the gals he encounters.

I can see some of David Robert Mitchell’s possible influences, including David Lynch, Kwan & Scheinhart and Terry Gilliam in both the eerie sinister nature we all harbor, bizarre behavior and the magical realism of underground networks of hybrid human/animals respectively.

Is “Under the Silver Lake” as artistic as Hitchcock’s Psycho? No way, and not even as chilling. In fact, where Herman’s music added to the suspense of Psycho, the overly dramatic orchestral music took me out of the scenes in Under the Silver Lake.

Pretty typical for 2018 though where surplus or extreme is considered edgy when really good old black and white and a couple of violins are all you need to scare people.

On the other hand, Under the Silver Lake was worth seeing for Garfield, whose performance was multi-faceted and the story vivid enough to pain modern day Hollywood as a super sad and freaky place to live.

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