JoJo Rabbit directed and adapted to screenplay by Taika Waititi is like a good friend who you love dearly, but always goes too far with a joke. Charlie Chaplin knew the fine art of subtlety in the Great Dictator. Sure, mock the Fuhrer, but do so in such a way that it doesn’t make mockery of the cause and pathos.
Like an overly frosted carrot cake, it also frosts my onions when you mix heinous true life death (in this film hanging bodies) with hilarity. They don’t mix, ever.
But it’s a generational divide, considering the millennials on either side of me were gaga, and I almost mean that literally, with the ‘AWWWW” and “OOOOHS’. The difference is, I was protected from media violence as a kid (mom was home and had boundaries for us AND this was pre-computers). Hence, I get the difference between comedy and violence.
Either Waititi should have played all of Germany’s stain as an outright farce or tone it down a notch.
Ok, but it wasn’t all bad. I liked his clever use of comparing Beatles mania with Hitler mania. I looooooved Sam Rockwell, back in the silly, comic department I feel he does his best. The lead little boys (Roman Griffin Davis and Archie Yates) were terrific as was the Anne Frank like young lady (Leave No Trace’s Thomasin McKenzie). Scarlett Johansson, while I like her a lot, was wasted in JoJo, her character wasn’t developed enough for me to really understand her, but I totally get she was needed as a plot device. I could have lived without Rebel Wilson, who just stuck out like a sore thumb. As was Taikia as the Hitler character, again, stop with yourself! He was too dopey and too frequent, the too much frosting part of this carrot cake.