Minari, a Sophie’s Choice for my top 10

What do you do when your favorite movie of the year “Driveways” (directed by Andrew Ahn) is upstaged by a grander (action-wise) movie “Minari” (directed by Lee Isaac Chung)? I guess both could be in my top ten, but it’s a difficult choice. Both films by Asian and Korean directors are masterpieces in my book.
Minari’s tralier was a bit suspect…it looked like it could be a corny affair, meaning here comes an Asian family moving to Arkansas to re-start their lives after menial jobs in California were driving them mad. The movie’s conflict seemed quite poignant and real (until the end-no spoilers, but will be in my upcoming quibbles paragraph). Which helps me make up my mind that Driveways stands as my number one, there wasn’t one false move in the entire film and the music was delectable (though don’t get me wrong Emile Mosseri’s soundtrack is very good).
Before I tear the movie down a bit, let me explain what got me…marital strife between two people who loved each other initially is always an emotion grabber for me, as are elderly Grandma’s who try, but are never going to beat the devil of mortality. In addition, cute little kids, however precocious, always make me smile.
Here are my problems with the film: any woman who still bitches after receiving great news is a beeatch. That does not ring true with reality. If you are with a woman who is not grateful, get rid of her asap! Second, if you’re a mother allegedly worried about your son’s heart murmur, you don’t allow him to stay over night at some rando kid’s house or let your elderly mother take charge.
In a head to head match up between little kid actors (mind you I’m still way ticked off that Noah Jupe didn’t get more accolades for Honey Boy) Lucas Jaye from Driveways wins over Alan S. Kim from Minari. And while I was wringing my hands during the first paragraph, trust me when I say that while Driveways doesn’t have the ‘fireworks’ that Minari does, it is a better movie. Email me with disagreements at irun2eatpizza@hotmail.com

Gratitude and Genuflection for Driveways

My my my I felt sad when Brian Dennehy died, not that I was even that hip to his filmography, but he reminded me of my former father-in-law, a hard shelled exterior soft hearted interior Irish guy. And after seeing Driveways (fantastic screenplay written by Hannah Bos and Paul Thureen) directed by Andrew Ahn, I am in a combination of awe and mourning.

Driveways has already garnered a nomination for the Independent Spirit Best First Script Award. And I am hoping, flattening the curve willing, that Driveways will get a big screen release, not because the Hudson Valley shots are all that profound as this movie is more about the relationships among humans, yet the emotions are so large, they deserve a big screen to let them breathe. Jay Wadley’s poignant original music is also worth theater sized speakers.

Suffice to say I was teary eyed in the first 10 minutes as Lucas Jaye is an absolute marvel as the 9 year old boy who forms a friendship with neighbor Brian Dennehy. Likewise, Hong Chau, already nominated for a Golden Globe in Downsizing, portrays Lucas’s single mom with a realistic tenderness.

I am rooting for this film as I did last year’s Peanut Butter Falcon. For a mere 3.99 on Amazon Prime, watch it now, and then go see it again when it hits the cinema.