Ever since The Florida Project, I’ve devoted myself to be a life long Willem Dafoe fan, so unless the guy’s in an untra-violent film, I’ll be at his cinematic door step. And At Eternity’s Gate proves again that his acting talent should be rewarded in the industry. He won’t win the Golden Globe for which he’s nominated and if it’s anyone else but Rami Malek, popcorn will be flung at the tv. If Bradley Cooper wins, I may throw the entire bag.
Speaking of Golden Globes, former winner Julian Schnaebel (for The Diving Bell and the Butterfly-probably one of my top 20 of all time) directed At Eternity’s Gate and while it didn’t affect me as greatly as shortened title “The Bell” did in 2007, At Eternity’s Gate evokes the true spirit of a a sensitive and misunderstood painter.
If the French teenagers were portrayed accurately, there were some mean kids back in the 1890’s bullying poor Vincent. The French are stereotypically not your friendliest group, and this movie certainly further contributes to that idea. Additionally, like Mike Meyers did in Bohemian Rhapsody as Joe Record Producer (have to get to my Christmas retail job, otherwise I’d look that up), many a man and woman questioned and discouraged poor Vincent, going as far as calling his work ugly and disturbing.
The film makes me want to look up more about his demise and I will do so once the holiday mayhem slows down. At Eternity’s Gate is another acting ‘masterpiece’ for Willem. Oscar Isaac, while I’m not a fan, does well as a self-absorbed Gaugin and in a Mike Meyeresque semi-caemo, former The Diving Bell and the Butterfly star, Mathieu Amalric plays bemused VanGogh’s doctor.
At Eternity’s Gate might garner Dafoe a Golden Globe in an alternate intellectual society and is definitely worth appreciating for its philosophical age old question; what is art? Likewise, just as it was mesmerizing to watch Day-Lewis as a living breathing Lincoln, watching Dafoe walk, paint, run and even urinate (yes you read that right) as a living VanGogh is highly entertaining.