“The Square”, Way Outside the Box

There were many reasons to escape into the cinema today; 11 hours (in two days) of intense retail work (100% friendly customers though), wide angle steer clear of some who haven’t found their zen, and an ice cold message from a former college sweetheart. Need I go on?

I was even willing to go solo to “The Square” knowing how much I loved the director’s (Ruben Ostlund) previous film “Force Majeure” which was nominated for a Golden Globe back in 2015. But to the companionship rescue galloped my friend Dave, who went way outside his box by attending a foreign film of considerable length, 2:22.

And just like Mikey in the old Life commercials, he liked it! And so did I….but….

Ok positives first:
Tremendous screen writing*. This film had that verisimilitude that the phrase “you can’t make this sh*& up” implies. I won’t give away any of the ‘what the bleep just happened’ moments, but three stand out specifically to me.

The acting was top notch: Claes Bang, who rarely leaves the screen, was totally believable as the museum director who slides down the slippery slope of megalomaniac justice seeker. Elisabeth Moss’s character is if the Handmaid (she’s in the Margaret Atwood novel inspired tv series) got revenge by going off the deep end.

Cinematography, again, gorgeous, from the sex scenes to the art work, to the spiral staircases that symbolically end in a square, just fabulous.

And if the *one wild loose end that isn’t tied up is a message that we care more about the impact of fictional work then we do human reality, then let’s give this movie the Academy Award. Though Ruben should really have a flyer ready to explain that to people on their way out.

My only gripe (besides the obscurity of the aforementioned) was the last 15 minutes. If Ruben had ended it at the press conference, hand the Oscar over right now. But to go on and on meandering to a cheerleader’s competition and then a near miss at a dumb ass parent move (never leave your kids in a car in a strange place) which negates character development (like hello, wasn’t that what got you in the mess to begin with?) was a disappointment. Like a Fuji apple I have thoroughly enjoyed only to find a rotten spot on the last bite, that’s “The Square”.

But all is forgiven. One last bite can’t spoil the wonderful surprises, much needed escape, and calm company this experience supplied. Go see this.