I can now place the Safdie full length narrative film Iron Man medallion around my neck after watching “Heaven Knows What” from 2014. Here’s some tried and true Safdie-isms based on the fill complement of narratives (Daddy Longlegs, Good Time, Heaven Knows What, and Uncut Gems):
1. eerie soundtrack music with a mixture of futuristic organ, baroque, hard rock and classical numbers
2. a begging forgiveness or love scene between lovers
3. shocking brutality and sadness at the conclusion with an added ending scene that scales back with an understanding that we are only specks in the universe and/or the everyday world moves on with or without you
“Heaven Knows What” is the darkest and roughest of the quad of Safdie narratives and deals with the real life story of a New York City homeless junkie. Reminiscent of Midnight Cowboy, the couple attempt to bus to Florida and while no one dies on the bus this time, there certainly are some plot twists. Arielle Holmes, not only wrote the book about her lover, Ilya, she stars as herself in the film.
A poignant, but gritty portrayal of the NYC homeless drug addled populace.