“Norman”, or more apropos, a Seinfeldesque, Newman!

Here’s my culpability, I didn’t properly vet the movie Newman, I mean “Norman”. Working two fun jobs before my pension kicks in, I am admittedly sleep deprived. Hence, I thought Norman was the Richard Gere film about a homeless man that received great reviews. And who knows? Norman may have been homeless, too, for all we know, as we never saw the guy’s house or personal life beyond his suit, trench coat and cravat. Also in my defense of thinking he was homeless, is a scene in which he raids the synagogue’s refrigerator to scarf down gvelte fish and crackers. Last, he definitely had a Willy Loman poor man vibe, minus the creep.

In addition to my not properly researching the movie (didn’t even Rotten Tomatoes it until just now -it scored an 88 critic, 69 audience), I also committed yet another sin: I left with 20 minutes to go. I know, I know, don’t revoke my reviewer’s license. But the movie was so verbose, too many conversations, and too long to circle the wagons back to the end (which I think I can guess and I promise I will rent this and cross the finish line).

I so wanted to like it more: I mean I like Gere and he was actually doing a great job being semi geeky and annoying. He was the powerless one this time and played it well. I also LOVE Charlotte Gainsbourg and as usual she had some memorable scenes, but there just wasn’t enough of her. And Hank Azaria, again, like him, but he didn’t appear until 3/4 in and by then I was ready to crawl out of my skin or find noise cancellation headphones, akin to being on a long flight with someone who won’t stop babbling.

I have to think that the actors themselves, upon seeing the final product, were like, ‘ay yi yi, too much Joseph!’ (Cedar) the director.
I did really enjoy one of Cedar’s earlier films called “Footnote”, but Norman was just too much talking, not enough personal insight.
Better luck next time.

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