Black Bear and Black Bottom (Ma Rainey’s)

Black Bear, written and directed by Lawrence Michael Levine, had a lot of promise, yet landed with a thud. Let’s just say it’s a movie about a screenwriter full of ideas.
The lead is one of my favorite comedic actresses Aubrey Plaza (my faves: Ingrid Goes West &An Evening with Beverly Luff Linn). And while she is great here, I did not find her character sympathetic enough to care about, she was just another histrionic female who I would not want to know. Ditto with actress Sarah Gadon, super acting, but another broad I’d steer clear of in real life.
The male of the triangle, actor Christopher Abbott who could be a long lost brother of Shia LeBouef, is terrific as the sadistic and narcissistic husband and boyfriend, but at the risk of sounding redundant, not someone I want to know. Hence, lack of plot plus unlikable characters equals an annoying movie.

Ma Rainey’s Black Bottom was also annoying, but only until I settled in and quit fixating on Viola’s lip syncing and the obvious playwright’s (August Wilson’s original, screenplay by Ruben Santiago-Hudson) techniques of a one room hostage situation where we are stuck in a room with people arguing. Once I got past those items, I marveled in Chadwick Boseman’s performance. Not being hip to Black Panther (just not a super hero movie fan), I was amazed at the depth of his acting. He BECAME his trumpet playing character, not overly acted (as I found the two record execs to be-Jeremy Shamos and Jonny Coyne). Ma’s love interest, actress Taylour Paige, also seemed rather overblown, but strategic in standing out in an ensemble as formidable as Davis and Boseman. Viola Davis is an acting force, I genuflect to her power. Ma Rainey’s Black Bottom is definitely worth seeing, just be ready to don your Broadway thespian patience cap.

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